La cifra española para teclado en la obra de Francisco Correa de Araujo (1584 – 1654) - Facultad Orgánica (1626) Características teóricas, cifra, modalidad, afinación, y ornamentación
Abstract
The purpose of this paper is a brief qualitative analysis in three stages of the work for keyboard of Francisco Correa de Araujo – Facultad Orgánica - our main goal is to describe and support the features of the figures used by the author with their original foundations. To describe the model of Iberian organ for the implementation of their tientos and discourses, and consider the possibility of execution of his work in a modern keyboard instrument. Finally, we present to a copy of the existing Facultad Orgánica in the Library of the Monastery of La Recoleta of Arequipa (Peru).
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