The Spanish Tablature for Keyboard in the Work of Francisco Correa de Araujo (1584 – 1654) - Organic Faculty (1626): Theoretical Characteristics, Tablature, Modality, Tuning, and Ornamentation

  • Miguel P. Juárez
DOI: https://doi.org/10.31207/colloquia.v2i0.5

Abstract

The purpose of this paper is a brief qualitative analysis in three stages of the work for keyboard of Francisco Correa de Araujo – Facultad Orgánica - our main goal is to describe and support the features of the figures used by the author with their original foundations. To describe the model of Iberian organ for the implementation of their tientos and discourses, and consider the possibility of execution of his work in a modern keyboard instrument. Finally, we present to a copy of the existing Facultad Orgánica in the Library of the Monastery of La Recoleta of Arequipa (Peru).

Published
Jul 5, 2017
How to Cite
JUÁREZ, Miguel P.. The Spanish Tablature for Keyboard in the Work of Francisco Correa de Araujo (1584 – 1654) - Organic Faculty (1626): Theoretical Characteristics, Tablature, Modality, Tuning, and Ornamentation. Colloquia, Academic Journal of Culture and Thought, [S.l.], v. 2, p. 44 - 61, july 2017. ISSN 1390-8731. Available at: <https://colloquia.uhemisferios.edu.ec/index.php/colloquia/article/view/5>. Date accessed: 08 may 2024. doi: https://doi.org/10.31207/colloquia.v2i0.5.
Citation Formats
Issue
Vol 2 (2015): Colloquia, Volume 2
Section
Articles

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