Phenomenology of the Beautiful and the Redemption of the Ugly
DOI:
https://doi.org/10.31207/colloquia.v6i0.75Keywords:
beautiful, passions, unity, trascendentals, AquinasAbstract
From a phenomenological perspective, this paper discusses the effects caused by the beauty and the ugly, and hypothesizes how to get rid of the ugly. Due to the impossibility of addressing the effects of something that is absolutely unknown, Chapter I intends to define what beauty is and what its distinctive profiles are. Chapter II enters into the apprehension of beauty and in the effects that occur to those who contemplate it. In order to do so, we draw a parallel between the six “effects of love” developed by Aquinas, transforming them into the six “effects of beauty”. In addition, we add three effects studied by some Greeks and modern thinkers: catharsis, epiphany, and pleasure. In contrast, Chapter III deals with the opposite notion; it identifies profiles and effects of the ugly. At this point we can face the problem of the liberation from ugliness. We concludes that only Beauty can redeem us from the ugly.
References
Agustín de Hipona (2015). Confesiones. Madrid: Verbum D.L.
Alberto Magno (1972). Super Dionysium De divinis nominibus. En Opera Omnia 37.1. Editio Coloniensis. Münster: Ed. P. Simon.
Aristóteles (2012). Metafísica. Trad. de V. García Yebra. Madrid: Gredos.
Aristóteles (1994). Retórica. Trad. de Q. Racionero. Madrid: Gredos.
Dostoievski, Fedor (2001). El Idiota. Madrid: Alianza.
Eco, Humberto (2004). Historia de la belleza. Barcelona: Lumen.
Escrivá de Balaguer, Josemaría (2016). Camino. Madrid: Rialp.
Escrivá de Balaguer, Josemaría (2014). Surco. Ciudad de Me?xico: Minos Tercer Milenio.
González Umeres, Luz (2009). ¿Es lo bello un trascendental personal? Persona: revista iberoamericana de personalismo comunitario 11: 76-80.
Janko, Richard (1987). Aristotle, Poetics I. Indianapolis/Cambridge: Hackett Publishing Company.
Juan Pablo II (2014). Carta a los artistas. Madrid: Editorial Ciudad Nueva D.L.
Kant, Immanuel (1764). Observaciones sobre el sentimiento de lo bello y lo sublime. Komgsbey.
Labrada, María A. (1990). Belleza y racionalidad: Kant y Hegel, Pamplona: Eunsa.
Lansky (2014). “¿Belleza? ¿Traición u olvido?”. Blog Periquitos muertos (Consultado el 2 de diciembre de 2015 desde <http://www.lansky-al-habla.com/2014/12/belleza-traicion-u-olvido.html>).
Lotz, voz “Belleza”, en Walter Brugger, Diccionario de filosofía, Herder, Barcelona 1972.
Platón (1973). Cratilo. En Ramón Pérez de Ayala (ed.), Obras completas. Madrid: Aguilar.
Platón (1973). El Banquete. En Ramón Pérez de Ayala (ed.), Obras completas. Madrid: Aguilar.
Platón (1973). Hipias Mayor. En Ramón Pérez de Ayala (ed.), Obras completas. Madrid: Aguilar.
Rosenkranz, Karl (1992). Estética de lo feo. Madrid: Julio Ollero.
Spaemann, Robert (2000). Personas. Acerca de la distinción entre “algo” y “alguien”. Trad. J. L. del Barco. Eunsa: Pamplona.
Tomas De Aquino (1265-1272). Suma Teológica. París-Italia. Trad. al castellano de AA.VV. (2001). Suma Teológica de Santo Tomás de Aquino, 4ª ed. Madrid: BAC.
Unger Parral, Bibiana (2011). De ordine. La búsqueda de la belleza. Universitas Philosophica 56 (1), año 28: 129-140.
Yarza, Ignacio (2004). Introducción a la estética. Eunsa: Pamplona.
Yepes Stork, Ricardo; Aranguren Echevarría, Javier (2001). Fundamentos de Antropología, 5ª ed. Pamplona: EUNSA.
Downloads
Published
Issue
Section
License
Copyright (c) 2019 Juan Carlos Riofrío Martínez Villalba
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors publishing in our Journal comply to the following terms:
1. Authors keep their work's copyrights, but they guarantee Colloquia to be the first publisher of their papers. They grant the Journal with a Creative Commons Attribution License, under which their work can be shared with the condition that it is appropriately cited.
2. Authors can establish further clauses for non-exclusive distribution, such as publication on a separate book or placing in an institutional data-base. Nevertheless, a note should be always added to explain that the paper was originally published in Colloquia.
This Journal utilizes the LOCKSS system to create a file distributed among participating libraries, allowing these libraries to create permanent archives of the Journal for purposes of preservation and restoration. More information...