Towards a Trascendental Consideration of Beauty
Polian Aesthetics and Philosophy of Art
DOI:
https://doi.org/10.31207/colloquia.v10i0.142Keywords:
Aesthetics, Philosophy of Art, Leonardo Polo, beauty, symbol, mimesis, infatuationAbstract
Symbol is, according to L. Polo, the properly human addition and constitutive of art as a perfecter of nature. It is a particular mode of knowledge that requires production through imagination and intelligence, and to which it is proper to perceive the Beautiful as the ultimate superior to man and his rationality. The human response to Beauty is infatuation, the desire for change and union with the beautiful.
References
Polo, L. (2013), Conversación entre Leonardo Polo y Gerardo González, 5 de enero de 2005 (grabación). https://www.youtube.com/watch?v=nJtWlnWFd0w
Polo, L. (2018), Escritos Menores (2001-2014), en Obras Completas, vol. XXVI, Pamplona, Eunsa.
Polo, L. (2021), La mímesis como teoría estética según la postura de Platón, Aristóteles y los griegos en general. Pro Manuscripto.
Polo, L. (2019), “Reflexiones sobre el arte, a propósito de Heidegger”, Studia Poliana 21, pp. 5-25.
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