Modern Music Subject to the Impulse of Rationalization

Development and consequences according to Max Weber

Auteurs-es

  • Teresa Isabel Espinel Granda

DOI :

https://doi.org/10.31207/colloquia.v10i0.144

Mots-clés :

West, Capitalism, rationalization

Résumé

Rationalization constitutes one of the fundamental pillars in the development of modernity in the West. Max Weber uses this approach as a sociological foundation to reflect the historical context of this phenomenon. It focuses on the musical rationalization towards an approach of universality and standardization that favored the development of capitalism and its massive forms of production and consumption.

Références

Adorno, T. (2004) Philosophy of Modern Music, New York: Continuum

Hegel, G (1970) Vorlesungen über die Ästhetik, Frankfurt: Suhrkamp

Loewenstein, K. (1966) Max Weber`s Political Ideas in the Pespective of our time, Amherst: University of Massachusetts Press

Weber, M. (1958) The rational and social foundation of music

Weber, M. (1964) Economía y sociedad, México: Fondo de Cultura Económica

Weber, M. (1985) La ética protestante y el espíritu del capitalismo, Buenos Aires: Orbis

Weber, M. (1991) Die Wirtschaft sethik der Weltreligionen onfuzianismus und Taoismus,Tübingen: J.C.B. Mohr (Paul Siebeck)

Weber, M. (1993) Los fundamentos racionales y sociológicos de la música, Madrid: Fondo de Cultura Económica

Weber, M. (1997) Sociología de la Religión, Madrid: ISTMO

Weber, M. (2005) Remarks on Technology and Culture, Kemple: Theory, Culture and Society

Weber, M. (2006) Sociologia das religiões e Consideração intermediária, Lisboa: Relógio D’Água

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Publié-e

2023-12-15